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OBOE REVIEWS<\/strong><\/p>\n J.S. Bach: Concerto for Oboe and Violin in D minor<\/strong> FAZ<\/strong><\/p>\n A. Reicha: Andante for English Horn No.1. in E flat major<\/strong> Penninsula Reviews, Monterey<\/strong><\/p>\n H.W. Henze: Doppio Concerto<\/strong> The Independent<\/strong><\/p>\n J.S. Bach: Mass in B minor<\/strong> The Register-Guard, Eugene, Oregon<\/strong><\/p>\n W.A: Mozart: Posthorn Serenade<\/strong> Der Tagesspiegel<\/strong><\/p>\n J.S. Bach: Concerto for oboe d’amore in D major BWV 1053<\/strong> Der Tagesspiegel<\/strong><\/p>\n The Berlin Oboe Quartet gave a short programme of works by Britten, Coliin Matthews and Richard Rodney Bennett, which was lavishly garnished by Nigel Shore’s wonderfully broad oboe sound.<\/p>\n The Times<\/strong><\/p>\n The Berlin Oboe Quartet CD: \u00abPhantasy\u00bb<\/strong> The Times<\/strong><\/p>\n CONDUCTING REVIEWS<\/strong><\/p>\n I. Stravinsky: Symphonies of Wind Instruments<\/strong> Stuttgarter Zeitung<\/strong><\/p>\n I. Stravinsky: Symphonies of Wind Instruments Esslinger Zeitung<\/strong><\/p>\n J. Brahms: Serenade in A major, op.16<\/strong> Stuttgarter Zeitung<\/strong><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" OBOE REVIEWS J.S. Bach: Concerto for Oboe and Violin in D minor Haenchen was blessed with two excellent soloists… Bach’s Double Concerto spoke with a fine, rhythmically fluid tone. The wind soloist was particularly impressive. FAZ A. Reicha: Andante for English Horn No.1. in E flat major We had an opportunity to hear Nigel Shore […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":""},"yoast_head":"\n
\nHaenchen was blessed with two excellent soloists… Bach’s Double Concerto spoke with a fine, rhythmically fluid tone. The wind soloist was particularly impressive.<\/p>\n
\nWe had an opportunity to hear Nigel Shore in the prominent english horn part. Here his playing was warm and abundantly satisfying.<\/p>\n
\nNigel Shore, the oboist, matched an assertive personality with a remarkably defined technique and the full-bodied tone of a young player whose background is British but whose career was built with the Berlin Philharmonic. An name to listen for.<\/p>\n
\nMemorable moments included… Nigel Shore’s breathless oboe d’amore duet flight with alto Sandhoff in \u00abQui sedes\u00bb.<\/p>\n
\nFirst and foremost, the lively, supple dialogue between flautist Silke Uhlig and Nigel Shore on the oboe.<\/p>\n
\nWith the middle movement already in a Christmassy 12\/8-time, Nigel Shore added to the mood with his melodically interesting shepherd-espressivo.<\/p>\n
\nThe oboist is Nigel Shore, exquisitely lyrical.<\/p>\n
\nTop marks for the winds, rehearsed and conducted by Nigel Shore. Rhythmically crystal clear, Stravinsky’s Symphonies of Wind Instruments were a pure pleasure to listen to.<\/p>\n
\n<\/strong>With the Symphonies of Wind Instruments, Nigel Shore led the young brass and wind payers into Stravinsky’s world. Loud applause for the whole evening.<\/p>\n
\nTaken fast and well rehearsed with a Nigel Shore on the podium who took complete control whilst allowing the young musicians their artistic freedom.<\/p>\n