{"id":48,"date":"2015-01-27T09:49:19","date_gmt":"2015-01-27T09:49:19","guid":{"rendered":"http:\/\/nigelshore.eu\/?page_id=48"},"modified":"2026-08-14T10:23:03","modified_gmt":"2026-08-14T08:23:03","slug":"press","status":"publish","type":"page","link":"https:\/\/demo.nigelshore.eu\/es\/press\/","title":{"rendered":"Press"},"content":{"rendered":"\n<div class=\"et_pb_section_0 et_pb_section et_section_regular et_block_section\"><div class=\"et_pb_row_0 et_pb_row et_block_row\"><div class=\"et_pb_column_0 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\"><div class=\"et_pb_text_0 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_left\"><div class=\"et_pb_text_inner\"><p><strong>OBOE REVIEWS<\/strong><\/p>\n<p style=\"text-align: left\"><strong>J.S. Bach: Concerto for Oboe and Violin in D minor<\/strong><br \/>\nHaenchen was blessed with two excellent soloists... Bach's Double Concerto spoke with a fine, rhythmically fluid tone. The wind soloist was particularly impressive.<\/p>\n<p style=\"text-align: right\"><strong>FAZ<\/strong><\/p>\n<p style=\"text-align: left\"><strong>A. Reicha: Andante for English Horn No.1. in E flat major<\/strong><br \/>\nWe had an opportunity to hear Nigel Shore in the prominent english horn part. Here his playing was warm and abundantly satisfying.<\/p>\n<p style=\"text-align: right\"><strong>Penninsula Reviews, Monterey<\/strong><\/p>\n<p style=\"text-align: left\"><strong>H.W. Henze: Doppio Concerto<\/strong><br \/>\nNigel Shore, the oboist, matched an assertive personality with a remarkably defined technique and the full-bodied tone of a young player whose background is British but whose career was built with the Berlin Philharmonic. An name to listen for.<\/p>\n<p style=\"text-align: right\"><strong>The Independent<\/strong><\/p>\n<p style=\"text-align: left\"><strong>J.S. Bach: Mass in B minor<\/strong><br \/>\nMemorable moments included... Nigel Shore's breathless oboe d'amore duet flight with alto Sandhoff in \"Qui sedes\".<\/p>\n<p style=\"text-align: right\"><strong>The Register-Guard, Eugene, Oregon<\/strong><\/p>\n<p style=\"text-align: left\"><strong>W.A: Mozart: Posthorn Serenade<\/strong><br \/>\nFirst and foremost, the lively, supple dialogue between flautist Silke Uhlig and Nigel Shore on the oboe.<\/p>\n<p style=\"text-align: right\"><strong>Der Tagesspiegel<\/strong><\/p>\n<p style=\"text-align: left\"><strong>J.S. Bach: Concerto for oboe d'amore in D major BWV 1053<\/strong><br \/>\nWith the middle movement already in a Christmassy 12\/8-time, Nigel Shore added to the mood with his melodically interesting shepherd-espressivo.<\/p>\n<p style=\"text-align: right\"><strong>Der Tagesspiegel<\/strong><\/p>\n<p style=\"text-align: left\">The Berlin Oboe Quartet gave a short programme of works by Britten, Coliin Matthews and Richard Rodney Bennett, which was lavishly garnished by Nigel Shore's wonderfully broad oboe sound.<\/p>\n<p style=\"text-align: right\"><strong>The Times<\/strong><\/p>\n<p style=\"text-align: left\"><strong>The Berlin Oboe Quartet CD: \"Phantasy\"<\/strong><br \/>\nThe oboist is Nigel Shore, exquisitely lyrical.<\/p>\n<p style=\"text-align: right\"><strong>The Times<\/strong><\/p>\n<p style=\"text-align: left\"><strong>CONDUCTING REVIEWS<\/strong><\/p>\n<p style=\"text-align: left\"><strong>I. Stravinsky: Symphonies of Wind Instruments<\/strong><br \/>\nTop marks for the winds, rehearsed and conducted by Nigel Shore. Rhythmically crystal clear, Stravinsky's Symphonies of Wind Instruments were a pure pleasure to listen to.<\/p>\n<p style=\"text-align: right\"><strong>Stuttgarter Zeitung<\/strong><\/p>\n<p style=\"text-align: left\"><strong>I. Stravinsky: Symphonies of Wind Instruments<br \/>\n<\/strong>With the Symphonies of Wind Instruments, Nigel Shore led the young brass and wind payers into Stravinsky's world. Loud applause for the whole evening.<\/p>\n<p style=\"text-align: right\"><strong>Esslinger Zeitung<\/strong><\/p>\n<p style=\"text-align: left\"><strong>J. Brahms: Serenade in A major, op.16<\/strong><br \/>\nTaken fast and well rehearsed with a Nigel Shore on the podium who took complete control whilst allowing the young musicians their artistic freedom.<\/p>\n<p style=\"text-align: right\"><strong>Stuttgarter Zeitung<\/strong><\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-48","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Press - ES nigelshore.eu<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Press - 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